Re: Project Debut SB - am I doing something wrong, or just expecting too much?
- From: Nick Shipman <nospam@xxxxxxxxxxxxxxxxxxxxxxx>
- Date: Tue, 20 Sep 2005 09:31:43 +0100
Mike G wrote:
Problem 1: Motor noise. I can hear noise from the turntable motor during very quiet passages - this is more obvious on LPs than on 45s. The noise is only audible when the record is being played, so it's evidently being transferred from the motor to the stylus through vibration.
I'm not familiar with this deck; does it have any kind of suspension? If so, are all the separate suspension parts free to operate or are they bound anywhere?
What kind of noise is it? A rumble? A buzz?
Removing the Debut's lid reduces the noise slightly, but not much. Incidentally if I remove the platter and put my finger on the motor assembly I can feel it vibrating a little bit (like an electric shaver or similar); I'm not sure if that's normal for the Debut.
A little vibration is to be expected from a synchronous motor. A lot is not.
Problem 2: Needle sticking. Many of the LPs I've played on the Debut
have a point or two where the needle "sticks" - and these are all
clean, undamaged and relatively unworn records.
What do you mean by 'sticks'? Do you mean the stylus jumps back? (Or forward?) If so, this is a problem. Stop playing records you care about until you've fixed it.
Check that the wires leading out of the armtube are dressed correctly.
There is a specific path they should follow from the armtube, into a loop in free air and onto a mounting arrangement of some kind -- a solder tag board for example, where they're connected to the output phono leads. The armtube wires might be kinked, the loop might be flattened or a wire might be touching something nearby -- maybe the base of the deck, where you won't see a problem because it only arises when the base is fitted; or the wires might be twisted together too tightly or too loosely. Any of these can cause a little resistance at particular points in the arm's travel, and that damages vinyl.
Could this possibly be an anti-skating or tracking weight issue? I did set the anti-skating and tracking exactly as described in the instruction manual, and I also checked the tracking weight with a little plastic Ortofon stylus gauge. I checked the azimuth and alignment for good measure. Still, there may be something I'm missing.
Work out how the anti-skate mechanism works. Check that it operates smoothly in all arm positions. If it's a spring, check that it doesn't bind at any point. If it's a weight on a fishing line, check that the fishing line doesn't have a kink or visible bend in it and that it runs smoothly. Check that it's connected up to the right mounting position and hasn't hopped off somewhere in transit.
It won't be the tracking weight.
Is there any play in the arm bearing? (Careful how you check this!)
Problem 3: 78rpm operation. The main reason I bought the Debut Phono
SB, as opposed to the cheaper Debut, was the ability to play 78s (with
the optional OM78 stylus).
However, there are two problems with the 78rpm speed: firstly, when the turntable motor is switched on, the heavy main platter "skids" and jiggles about on the plastic subplatter for a good second or two (even more so if a 12" 78 is on the platter, as these are fairly heavy!)
Start the platter by hand! Your belts will last longer this way... My deck has a 10kg platter -- it's asking a bit much for a wee belt driven by something derived from a clock motor to drag that around so I always give it a spin by hand, and don't stop it to change records.
Secondly, when moving the belt from the 33/45 pulley to the 78 one, it's very difficult to get the belt in the right position so that it doesn't immediately slip back to 33/45 when the motor is started. Admittedly, this may just be me being a clumsy idiot, but I live in hope that there's a proper knack to it ;-)
Again, starting it by hand (gently) might help align the belt.
Let's know how you get on. I'm interested in getting a 78rpm deck too, and it'd be worth knowing if this deck turns out to work well.
Regards, Nick .
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