Re: There is no market for real cameras anymore.



Gordon Moat wrote:
> Scott W wrote:
> > Gordon Moat wrote:
> > > . . . . or go even further and use large format on a tripod. Some of
> > the
> >
> >>newer large format gear is not as heavy as some medium format gear. Of
> >>course it is much slower to use, but tripod shooting is rarely about
> >>quickness.
> >>
> >
> >
> > I have my own way that works for me, this is a greatly down sampled
> > version of a photo I took not long ago.
> > http://www.pbase.com/konascott/image/54403074/original
> >
> > The full size image is 159 MP and takes up 908 MB on my computer.
> >
> > A 100% crop can be seen here.
> > http://www.pbase.com/konascott/image/54403109/original
> >
> > The photo is made up by stitching a large number of photos together,
> > for me this is easier then shooting LF and scanning it.
> >
>
>
> If you are just going after resolution, then it seems a good choice. The
> composition is okay, probably the long panorama format makes it more
> interesting.
>
> I have seen a sliding rail set-up for multiple shot panoramic images.
> The idea was to move the camera sideways, instead of pivoting on one
> point, so that the viewpoint would seem more natural. A spherical
> panorama multiple shot set-up is more common, but the lens is viewing
> each area from a single point. Anyway, something you might want to try
> to compare, especially with a very wide panorama.
Sliding rail systems are very limited as they suffer from parallax.
The photos from them to me look a bit odd since there is not one
viewing point, very hard to get stuff in the foreground using them.
>
> > I have a lot of respect for people who shoot LF and gave some thought
> > about going that route as well. But I find I get more flexibility
> > doing it my way, I can go wider angle if I choose for instance. And in
> > fact the photo of the crater is has a horizontal fov of around 160
> > degrees.
> >
>
>
> Almost seems like a fisheye view, rather than a natural perspective.
> What does the crater look like on a single shot?
What you call natural perspective is also known as rectilinear, which
is what a normal camera lens tries to be. There are limits as to the
field of view you can get with a rectilinear lens, on a 35mm camera
going much shorter then 16mm and things start to look very odd. I
remapped the photo was a rectilinear 16 mm lens to get this.
http://www.pbase.com/konascott/image/54817182/original
Whereas this would be a tricky shoot with a 4 x 5 camera it is one that
could be done, using a 56mm lens, which is pretty short for a 4 x 5
camera.

The reason I posted the other photo was to show what can't be don't
with a LF camera, capture the whole of the crater in one photo.
Stitching allows me to choose how I want to map the photo, which is
pretty useful at times.


> > I do know the value of large film from first hand experience. I use to
> > take a lot of photos through my microscope and I started out using a
> > 35mm camera and tri-x film. I was never very happy with the results
> > that I got as I could see a lot more detail in the microscope then the
> > photos where picking up. I had a Polaroid film back that fit my
> > microscope, I would cut 4 x 5 sheet film down to size and put it in an
> > empty Polaroid film case. The difference was amazing.
> >
> > Scott
> >
>
>
> After reading about a few too many big name photographers shooting large
> format, and those being guys who are getting paid enough to afford some
> really expensive digital backs, I have decided to renew my large format
> gear. Of course, I have an advantage over you with two really good pro
> labs available to me. Unlike Olaf Veltman, I will be sticking to 4x5
> gear . . . 8x10 gear really is too much for what I will be doing for work.
>
I think 4 x 5 is great, any more there is really little to be gained by
going to 8 x 10. 8 x 10 is great if you don't want to mess with an
enlarger and just want to make contact prints but today scanning 4 x 5
is a much better way to go. Not many lenses make full use of the film
area of 4 x 5 so there would be little to be gain in going to 8 x 10, a
bit smoother looking photo perhaps but a good 4 x 5 already looks
pretty good.

Scott

.



Relevant Pages

  • Re: Some things Ive noticed ...
    ... Film is a lot more forgiving if you don't know what you're doing than digital is. ... Print after print with harshly blown highlights; jaundice looking because they shot by available incandescent light and no one ever showed them about white balance; jpeg artifacts out the wazoo because they're trying to cram the absolute most images onto the memory card that they can ... ... It is incredible the number of out-of-focus images that come through, presumably because they press the shutter button in one action instead of waiting for the camera to focus, or the camera will focus on something other than the subject. ... And of course, it is our photo lab which is at fault because "I got this photo printed at KMart and it was taken with the same camera, and it didn't come out that bad" - that's because the photo you had printed at Kmart was taken in bright sun with no zoom - the photo we printed was taken indoors with 100% digital zoom. ...
    (rec.photo.equipment.35mm)
  • Re: Polaroid instant film
    ... I've not noticed anyone use a Polaroid in anger ... Fuji continues to produce film for Polaroid cameras. ... My friend in her photo studio makes instant pass photos using a polaroid ... back for her Mamiya mid-size camera. ...
    (uk.railway)
  • Re: Whats your favorite all-purpose lens? Hey KW Hart
    ... very fine digital camera, and never have to load another roll of film as ... any kind also plays all previous kinds regardless of format. ... since DC motors are pretty much indestructible in normal use; and since laser diodes have practically unlimited life spans; and since there are many USB operated disk readers - it will be trivial to access them for the next hundreds of years. ...
    (rec.photo.equipment.35mm)
  • Re: GRAND PRIX DVD
    ... Morgan Montague wrote: ... disc format was about 2 years from extinction. ... cameras and camera mounts used. ... One racing film that 'felt good' in the theatre, ...
    (rec.arts.movies.tech)
  • The beat goes on
    ... Konica Minolta Exits Camera ... Business, Sells Assets to Sony ... its unprofitable camera and photo operations in a major overhaul to ... improve its earnings as the film market continues to shrink world-wide. ...
    (rec.travel.europe)