Re: How far...
- From: "Roger N. Clark (change username to rnclark)" <username@xxxxxxxxx>
- Date: Fri, 12 Aug 2005 09:07:19 -0600
CFB wrote:
In article <42FAC7B2.1030405@xxxxxxxxx>,
"Roger N. Clark (change username to rnclark)" <username@xxxxxxxxx> wrote:
CF wrote:
In article <42FA2B42.60508@xxxxxxxxx>,
"Roger N. Clark (change username to rnclark)" <username@xxxxxxxxx> wrote:
Incorrect. This digital myth just doesn't seem to die. Digital cameras, especially DSLRs have higher dynamic range than film. See: Dynamic Range and Transfer Functions of Digital Images and Comparison to Film http://www.clarkvision.com/imagedetail/dynamicrange2
"Digital camera transfer functions, like that in the Canon 1D Mark II camera, are similar to print film." That did not say higher, right?
And $9000 for a digital body is a lot to pay to get "close" to film's DR.
A transfer function describes the sensor/film response to the intensity of light and has nothing to do with spatial resolution.
?
I was talking about dynamic range?
I interpreted your response differently. By Digital camera transfer functions being similar to print film, I mean the shape. The statements has nothing to do with dynamic range, only the shape of the curve.
Defining dynamic range as max signal / noise at constant resolution one finds DSLRs and even point and shoots (at low ISO) have higher dynamic range. Example, see Figure 10 at: http://www.clarkvision.com/imagedetail/dynamicrange2
The print film has response to very low values but the noise dominates the image. This is also obvious in the images in Figure 5.
The 1D Mark II is a $4000 camera, not $9000.Is that any better?
Absolutely! But if that isn't much for you, I'll gladly sell you a new 1D Mark II for $9000. That would be a $5000 profit profit for me, even buying them retail. ;-)
But if you read the tables at http://www.clarkvision.com/imagedetail/digital.signal.to.noise you will see many other DSLR have quite similar specifications.
Telling me the cameras would help. I saw no reference to Dynamic range.
See Table 3, the column labeled "Possible Dynamic range" In a 12-bit system the maximum recorded dynamic range would be just under 12-stops
Don't confuse digital saturation (blown highlights) with a dynamic range limitation.
Hmm. Isn't blowout caused because of a small DR? Like if you have a very contrast scene dark and light will suffer if you expose for the middle range. Like comparing a DR of 1 stop to one of 5.
http://www.nature-photography-central.com/DynamicRange.html
No it is not. Blowout is caused by incorrect metering.
Yikes. You can get blowout if you have metered correctly.
No. If you get blow out on a subject you wanted to capture, means you didn't meter and expose correctly.
> Want proof? Go
outside, face the sun, half sky, half land. Meter, blowout. Adjust meter for shadows, more blowout. Adjust for sky, underexposure on land.
Now, change a cameras DR to 1. You will always get blowout.
This would be an example of technical expertise to get the image you want to record. For example, use split density filters. The example you cite is a common one. With a digital camera you expose to not blow any highlight you don't want blown, then you generally have the signal to noise to pull the image from the shadows. If you know the technical aspects of the camera, and your own processing abilities, you would know what to do to get the image, and that might include using split density filters. Again, if you meter correctly, and expose correctly, you will not blow out things you want to record.
Digital has more dynamic range in the low end than film, more than enough to compensate for saturation in the high end. You must learn to expose differently with digital, just like photographers have to learn to expose slide and print film differently.
That is just wrong. http://www.path.unimelb.edu.au/~bernardk/tutorials/360/technical/hdri/
No it is not. But the above page is correct too (claiming film has a
high dynamic range).
My head hurts.
Take an aspirin, get some sleep, and try and learn when you have a fresh open mind.
The problem with the study on the above page, and the characteristic curves from film manufacturers is that they average huge film area in order to get the response at the low end. Go back to: http://www.clarkvision.com/imagedetail/dynamicrange2
Dude, you need to start referring to web pages other then your own.
"I am right because look at what I said!" That should sound silly to you.
And because you refer to someone else's web page makes it right? I calibrate laboratory, telescopic and spacecraft sensors for a living. I do have some expertise in this area. I tried to explain why both your cited web page and my data are right, but for different reasons. Film manufacturer's average large areas of film to derive characteristics of their films. For example grain is measured with a 48-micron spot. That equals 529 pixels/inch, so 35mm images would have 498 x 746 pixels. Not much of an image. Dynamic range is done on a large spot too. But resolution is done to the maximum. Why not put them all on equal footing, as that is what you see when you view an image? That is what I have done. People seem to not like thinking outside of a box.
Yes, so you said a lot of technical gibber gabber, but what good does that do me?
You might learn something.
I did not go to MIT but just because you did doesn't mean you are right.
Yes, this is a correct statement. But criticize the data or find fault with the method, not just because I have it on a web page and refer to it makes it wrong. If someone else published the exact same data, what would you say? The difference in critical thinking is to understand the methods and results and criticize that (e.g. by finding some fault with methodology), and not in attacking the author personally, like in the above statement.
Blah, blah, blah. You're not a photographer, you're a geek.
You are entitled to you opinion. But this is another example of you don't like the message so attack the messenger.
Just because you sell work does not make you a photographer.
O wise one, what makes a photographer?
What does "out perform" mean? Are your photographs better?
Higher spatial resolution, larger dynamic range, higher signal-to-noise, giving better tonality.
Oh, it's a technical race.
No race. It is a matter of what technology can one use to make good images? You choose the tool for the problem, unless you just take snapshots. Even a painter needs technology (paints, brushes, canvas), similarly for a pinhole camera (you need technology to make the brush, make the pinhole, make the film), to the latest most sophisticated digital camera.
I once saw a guy draw something really cool on a napkin.
Yes, and he needed technology to do it, from someone making the paper, to someone making the pencil.
I do large format photography (with film), and I find it limiting too. I push my equipment to their limits trying to get the best image I can, whether 4x5, 8x10, 35mm, or digital.
Are there no limits man! DAMN YOU!
There are many limits, from hyperfocal distances and depth of field, to spatial resolution due to diffraction and film resolution, to dynamic range, and on and on.
You can't fix a bad photograph in photoshop. And I'm not talking about red eye.
I agree. But you can make a good photograph better, ranging from dodging and burning, to accutance enhancement, to image restoration, to color management for printing.
I would love to take more photos, but I have a backlog of thousands already that I want to print. But you came into this thread with an absolute mindset that film is best.
Can you mark where I said that? You assumed I said it. In fact you said best 3 times. Don't be a dingy. I never said film is better and I don't believe either is better then the other.
Your attacks about digital, such as: "Digital probably will not reach the dynamic range of film in high contrast situations."
All objective data says that
is not correct.
Preference is not objective. Neither is art.
But data are objective, if obtained in an unbiased way.
Oh, and I think it's cheesey for any one to have their pic on a web page holding a camera. And you have two. :^P
There you go, continuing personal attacks. Do you think by continued personal attacks, you will undermine my credibility? Look again, it will be yours.
You have some really great work and you know a crap load of technical information.
Thanks, Roger .
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