Re: cheap "studio" lighting

Hi

I was interested to see your flash setup. I have a D80,SB600,an old SB20
plus a small white brolley reflector that I've been experimenting with.

I've been trying to setup a small studio in my garage (no natural light) any
tips?

Bruce
"sheepdog 2007" <barking@xxxxxxxxxxx> wrote in message
news:2007101714053316807%barking@xxxxxxxxxxxxx
Once upon a time I had a real studio in a Gloucester (MA) storefront.
Small fortune invested in lighting, backdrops, etc. Another small fortune
invested in darkroom. Now I do this stuff for fun, on a budget. I've been
experimenting with low-cost multi-flash setups, since I don't like to buy
large strobes or hot lights that I won't be getting paid to use. I have
been following time-tested "rules" when it comes to bounce, reflectors,
diffusers, etc. Since going digital I've been ignoring what used to be a
pretty firm "no-no" for color photos, namely the mixing of daylight,
incandescent light and flash.

The "creamy" light I've been seeking for portraits turns out to be pretty
simple, and pretty cheap.

Let me know what you think about this setup (link in sig). It's
Nikon-centric, but could be created easily with any SLR.

The room has ivory and beige paint, which I use to full effect in getting
the tones I'm after.

I'd love to post portraits I'm shooting with this setup but as long as
there are malicious freaks on the internet, a vase of flowers will have to
do. It shouldn't take much imagination to see that the vase (or the water
drops) shows what eyes look like, while the petals show how skin is
reproduced. I shoot RAW with minimum in-camera sharpening. My conversion
software gives me a 16 bit TIFF which I work on in PS as a LAB color
document. Some of the sharpness, WB, and contrast tweaking is done during
the conversion from camera RAW to 16#TIFF; I use adjustment layers for the
rest of the post-processing.

--
http://web.mac.com/olddognewtrick/iWeb/Site/mixing-light-2.html



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