Re: Is it freaking Canon Day or something?
- From: David Littlewood <david@xxxxxxxxxxxxxxxxxx>
- Date: Thu, 25 Aug 2005 13:54:46 +0100
In article <1124972074.228782.255290@xxxxxxxxxxxxxxxxxxxxxxxxxxxx>, BC <brianc1959@xxxxxxx> writes
I suspect we may be in danger of getting at cross-purposes here. Brian, you are describing the lens aberration. I believe the previous discussion (though this was not explicitly stated) referred to colour fringing effects caused by light interacting with digital sensors, microlenses, AA screens etc. Many people seem to have started calling this chromatic aberration, which shows they are not very technically aware, but since the phenomenon is similar in appearance this is not surprising.
Tony Polson wrote:> >Ever consider this is the reality of Canon's wide lenses on a FF sensor?
It amply demonstrates the need for (near-)telecentric lens designs.
<grins, ducks and runs>
;-)
Lack of telecentricity has nothing to do with the appearance of lateral chromatic aberration in wide angle lenses. What most people don't appreciate is that many normal lenses have exit pupil distances just as short as the least telecentric SLR wide angles.
For example, the 55mm f/2.8 Nikkor and 20mm f/2.8 Nikkor have nearly identical exit pupil distances. That means they have the same lack of telecentricity. Despite this, the 55mm has no lateral color and the 20mm has a ton, thereby proving that telecentricity has no bearing on the appearance of lateral color.
More evidence comes from LCD and DMD wide-angle projection lenses, which are all perfectly telecentric. Nevertheless, most of these lenses exhibit lateral color.
Lateral color is by far the most difficult aberration to correct in reverse-telephoto lenses, and it requires skillful use of abnormal partial dispersion glasses. As far as I know the only manufacturer to fully address this problem is Zeiss, and even they only address it with a single lens: the 21mm/2.8 Distagon. Some of the recent wide angle zooms by Nikon and others are also very good with respect to lateral color, but typically not over the full zoom range.
Brian
BTW, interesting point; my understanding is that LCA - that is, the real, lens-created aberration - gets worse with longer focal length lenses, which is of course likely to be the exact opposite of the position for sensor-angle artefacts.
David -- David Littlewood .
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