rec.music.theory
- Re: Nice free ear training software for Mac
- From: Hans Aberg
- Re: Nice free ear training software for Mac
- From: SleepyHead
- Nice free ear training software for Mac
- From: Joey Goldstein
- Re: Strange Phenomena?
- From: Steve Latham
- Re: Harmonic Analysis - Bach Chorale (r)314
- From: Steve Latham
- Re: Strange Phenomena?
- From: bgranat
- Re: Strange Phenomena?
- From: fermat
- Re: Strange Phenomena?
- From: Jon Slaughter
- Re: Strange Phenomena?
- From: Jon Slaughter
- Re: Strange Phenomena?
- From: Jon Slaughter
- Re: Strange Phenomena?
- From: Jon Slaughter
- Re: Strange Phenomena?
- From: bgranat
- Re: Good reference for analysis of pop music?
- From: Steve Latham
- Re: Strange Phenomena?
- From: Steve Latham
- Re: Strange Phenomena?
- From: Joe
- Re: Good reference for analysis of pop music?
- From: D. C.
- Re: Strange Phenomena?
- From: bgranat
- Re: Good reference for analysis of pop music?
- From: Dan McGarvey
- Re: Good reference for analysis of pop music?
- From: Steve Latham
- Re: Good reference for pop theory?
- From: Steve Latham
- Re: Good reference for pop theory?
- From: Dan McGarvey
- Re: Good reference for analysis of pop music?
- From: Steve Latham
- Re: Strange Phenomena?
- From: Steve Latham
- Re: Good reference for pop theory?
- From: Steve Latham
- Re: Strange Phenomena?
- From: Steve Latham
- Re: WTC1 Prelude 2
- From: Steve Latham
- Re: Strange Phenomena?
- From: Abstract Dissonance
- Re: Good reference for pop theory?
- From: D. C.
- Re: Good reference for pop theory?
- From: D. C.
- Re: Good reference for pop theory?
- From: D. C.
- Re: Good reference for pop theory?
- From: Joey Goldstein
- Re: Good reference for pop theory?
- From: bgranat
- Re: Good reference for pop theory?
- From: D. C.
- Re: Strange Phenomena?
- From: Jim K
- Re: Good reference for pop theory?
- From: Joey Goldstein
- Re: Good reference for pop theory?
- From: D. C.
- Re: Good reference for analysis of pop music?
- From: D. C.
- Re: Good reference for pop theory?
- From: Joey Goldstein
- Re: Good reference for pop theory?
- From: Hans Aberg
- Re: Good reference for pop theory?
- From: D. C.
- Re: Good reference for pop theory?
- From: Hans Aberg
- Re: Good reference for pop theory?
- From: edspyhill01@xxxxxxxxx
- Re: baseball "charge"
- From: bgranat
- Re: Good reference for pop theory?
- From: bgranat
- Re: Strange Phenomena?
- From: bgranat
- Re: Good reference for pop theory?
- From: D. C.
- Re: Good reference for pop theory?
- From: Dan McGarvey
- Re: Strange Phenomena?
- From: D. C.
- Re: baseball "charge"
- From: Weird Beard
- Re: signal processed vs "natural" music
- From: fermat
- Strange Phenomena?
- From: Abstract Dissonance
- Good reference for pop theory?
- From: D. C.
- Re: WTC1 Prelude 2
- From: Abstract Dissonance
- Re: chord combos
- From: D. C.
- Re: chord combos
- From: Doug
- Re: chord combos
- From: Steve Latham
- Re: chord combos
- From: Steve Latham
- Re: chord combos
- From: Steve Latham
- Re: chord combos
- From: Steve Latham
- Re: WTC1 Prelude 2
- From: Steve Latham
- Re: chord combos
- From: Abstract Dissonance
- brazilian music
- From: aaron
- Re: chord combos
- From: skids
- Re: chord combos
- From: skids
- Re: chord combos
- From: Steve Latham
- Re: chord combos
- From: Bob Pease
- Re: chord combos
- From: D. C.
- Re: WTC1 Prelude 2
- From: Abstract Dissonance
- chord combos
- From: skids89
- Re: Harmonic Analysis - Bach Chorale (r)314
- From: Steve Latham
- Re: Harmonic Analysis - Bach Chorale (r)314
- From: Steve Latham
- Re: Harmonic Analysis - Bach Chorale (r)314
- From: Steve Latham
- Re: WTC1 Prelude 2
- From: Steve Latham
- Re: WTC1 Prelude 2
- From: Abstract Dissonance
- Re: signal processed vs "natural" music
- From: Doug
- Re: What are the components of a Counterpoint?
- From: SleepyHead
- Re: signal processed vs "natural" music
- From: SleepyHead
- Re: Chord connection
- From: SleepyHead
- Re: signal processed vs "natural" music
- From: Steve Latham
- Re: signal processed vs "natural" music
- From: fields
- Re: What are the components of a Counterpoint?
- From: Larry Deack
- Re: What are the components of a Counterpoint?
- From: Larry Deack
- Re: What are the components of a Counterpoint?
- From: Larry Deack
- Re: signal processed vs "natural" music
- From: fermat
- Re: Chord connection
- From: Steve Latham
- Re: What are the components of a Counterpoint?
- From: Steve Latham
- Re: signal processed vs "natural" music
- From: fermat
- Re: signal processed vs "natural" music
- From: fermat
- Re: signal processed vs "natural" music
- From: fermat
- Re: Chord connection
- From: SleepyHead
- Re: What are the components of a Counterpoint?
- From: SleepyHead
- Re: What are the components of a Counterpoint?
- From: Adam Golding
- Re: Harmonic Analysis - Bach Chorale (r)314
- From: Steve Latham
- Re: Harmonic Analysis Danny read this soon!
- From: Steve Latham
- Re: Harmonic Analysis - Bach Chorale (r)314
- From: Steve Latham
- Re: Chord connection
- From: Steve Latham
- Re: Chord connection
- From: Steve Latham
- Re: WTC1 Prelude 2
- From: Steve Latham
- Re: Logic for pitch correction
- From: Steve Latham
- Re: What are the components of a Counterpoint?
- From: Steve Latham
- Re: Chord connection
- From: Abstract Dissonance
- Re: Chord connection
- From: Abstract Dissonance
- Re: WTC1 Prelude 2
- From: Abstract Dissonance
- Re: What are the components of a Counterpoint?
- From: SleepyHead
- Re: Chord connection
- From: SleepyHead
- Re: Logic for pitch correction
- From: lov4mu6
- Re: What are the components of a Counterpoint?
- From: Adam Golding
- Re: What are the components of a Counterpoint?
- From: Adam Golding
- Re: What are the components of a Counterpoint?
- From: Adam Golding
- Re: Chord connection
- From: Steve Latham
- Re: signal processed vs "natural" music
- From: Steve Latham
- Re: signal processed vs "natural" music
- From: Steve Latham
- Re: signal processed vs "natural" music
- From: G. Mack
- Re: signal processed vs "natural" music
- From: Joe
- In Memory of Bob Moog
- From: sauoq6
- Re: signal processed vs "natural" music
- From: SleepyHead
- Re: What are the components of a Counterpoint?
- From: SleepyHead
- Re: Chord connection
- From: SleepyHead
- signal processed vs "natural" music
- From: fermat
- Re: What are the components of a Counterpoint?
- From: Steve Latham
- Re: What are the components of a Counterpoint?
- From: Larry Deack
- Re: Chord connection
- From: Steve Latham
- Re: Chord connection
- From: SleepyHead
- Re: What are the components of a Counterpoint?
- From: Steve Latham
- Re: Schoenberg (again) - Structural Functions Chapter 5
- From: Steve Latham
- Re: Chord connection
- From: SleepyHead
- Re: What are the components of a Counterpoint?
- From: Margo Schulter
- What are the components of a Counterpoint?
- From: Adam Golding
- Re: Schoenberg (again) - Structural Functions Chapter 5
- From: deux machina
- Re: Question on Modes
- From: David Webber
- Re: Question on Modes
- From: Alles moet kapot
- Re: Question on Modes
- From: Hans Aberg
- Re: Chord connection
- From: Steve Latham
- Re: WTC1 Prelude 2
- From: Steve Latham
- Re: Chord connection
- From: Abstract Dissonance
- Re: WTC1 Prelude 2
- From: Abstract Dissonance
- Re: Jam sessions
- From: Bob Pease
- Re: Question on Modes
- From: Tom K.
- Re: Jam sessions
- From: Hans Aberg
- Re: Jam sessions
- From: Greg Guarino
- Re: Chord connection
- From: Steve Latham
- Re: Schoenberg (again) - Structural Functions Chapter 5
- From: Steve Latham
- Re: WTC1 Prelude 2
- From: Steve Latham
- Re: Question on Modes
- From: Hans Aberg
- Re: Schoenberg (again) - Structural Functions Chapter 5
- From: deux machina
- WTC1 Prelude 2
- From: Abstract Dissonance
- Re: Question on Modes
- From: Tom K.
- Re: Question on Modes
- From: Hans Aberg
- Re: Logic for pitch correction
- From: Donnelly
- Re: Question on Modes
- From: Steve Latham
- Re: Logic for pitch correction
- From: Steve Latham
- Re: Schoenberg (again) - Structural Functions Chapter 5
- From: Steve Latham
- Re: Logic for pitch correction
- From: D. C.
- Re: Question on Modes
- From: Hans Aberg
- Re: Logic for pitch correction
- From: Bob Pease
- Re: Bass and singing
- From: Derek Goom
- Logic for pitch correction
- From: lov4mu6
- Re: Question on Modes
- From: Steve Latham
- Re: Question on Modes
- From: Alles moet kapot
- Re: Question on Modes
- From: Bob Pease
- Re: Question on Modes
- From: Jack Campin - bogus address
- Re: Schoenberg (again) - Structural Functions Chapter 5
- From: Steve Latham
- Re: Question on Modes
- From: Hans Aberg
- Re: Jam sessions
- From: Hans Aberg
- Re: baseball "charge"
- From: J. B. Wood
- Re: Schoenberg (again) - Structural Functions Chapter 5
- From: deux machina
- Re: neutralizing pivot tones
- From: Abstract Dissonance
- Re: neutralizing pivot tones
- From: Steve Latham
- Re: Question on Modes
- From: Steve Latham
- Re: neutralizing pivot tones
- From: Steve Latham
- Question on Modes
- From: Jeff
- Re: neutralizing pivot tones
- From: Abstract Dissonance
- Re: neutralizing pivot tones
- From: Abstract Dissonance
- Re: neutralizing pivot tones
- From: Abstract Dissonance
- Re: neutralizing pivot tones
- From: Steve Latham
- Re: neutralizing pivot tones
- From: Steve Latham
- Re: neutralizing pivot tones
- From: Abstract Dissonance
- Re: Bass and singing
- From: Abstract Dissonance
- Re: Bass and singing
- From: Steve Latham
- Re: neutralizing pivot tones
- From: Steve Latham
- Re: Bass and singing
- From: Bob Pease
- Re: Bass and singing
- From: moebius loop
- Bass and singing
- From: Derek Goom
- Re: neutralizing pivot tones
- From: Abstract Dissonance
- Re: neutralizing pivot tones
- From: Abstract Dissonance
- microabc supports abc Sagittal notation
- From: Margo Schulter
- Re: Jam sessions
- From: Steve Latham
- Re: Schoenberg (again) - Structural Functions Chapter 5
- From: Steve Latham
- Re: neutralizing pivot tones
- From: Steve Latham
- Re: neutralizing pivot tones
- From: Steve Latham
- Re: baseball "charge"
- From: Dan McGarvey
- Re: Jam sessions
- From: Bob Pease
- Re: baseball "charge"
- From: bgranat
- Re: baseball "charge"
- From: Tom K.
- baseball "charge"
- From: bob syr
- Jam sessions
- From: subbacultchasoul
- Schoenberg (again) - Structural Functions Chapter 5
- From: deux machina
- Re: neutralizing pivot tones
- From: Abstract Dissonance
- Re: neutralizing pivot tones
- From: Abstract Dissonance
- Re: neutralizing pivot tones
- From: Steve Latham
- Re: Analysis of Bach BWV 999
- From: Steve Latham
- Re: neutralizing pivot tones
- From: Steve Latham
- Re: Analysis of Bach BWV 999
- From: Steve Latham
- Re: neutralizing pivot tones
- From: Abstract Dissonance
- Re: neutralizing pivot tones
- From: Abstract Dissonance
- Re: Analysis of Bach BWV 999
- From: jacksoneskew
- Re: Analysis of Bach BWV 999
- From: Steve Latham
- Re: Chord connection
- From: Steve Latham
- Re: neutralizing pivot tones
- From: Steve Latham
- Analysis of Bach BWV 999
- From: jacksoneskew
- Re: neutralizing pivot tones
- From: Steve Latham
- Re: Chord connection
- From: Abstract Dissonance
- Re: Chord connection
- From: Abstract Dissonance
- Re: Chord connection
- From: Abstract Dissonance
- Re: neutralizing pivot tones
- From: Abstract Dissonance
- Re: neutralizing pivot tones
- From: Abstract Dissonance
- Re: Cd Release: Alex Machacek/Terry Bozzio [sic]
- From: Joey Goldstein
- Re: Cd Release: Alex Machacek/Terry Bozzio [sic]
- From: Steve Latham
- Re: Chord connection
- From: Steve Latham
- Cd Release: Alex Machacek/Terry Bozzio [sic]
- From: Jazzhead
- Re: Chord connection
- From: SleepyHead
- Re: Chord connection
- From: Steve Latham
- Re: neutralizing pivot tones
- From: Steve Latham
- Re: Chord connection
- From: Bob Pease
- Re: neutralizing pivot tones
- From: Steve Latham
- Re: Chord connection
- From: Abstract Dissonance
- Re: Chord connection
- From: Abstract Dissonance
- Re: Chord connection
- From: Bob Pease
- Re: Chord connection
- From: Abstract Dissonance
- Re: Chord connection
- From: Abstract Dissonance
- Re: Chord connection
- From: Abstract Dissonance
- Re: neutralizing pivot tones
- From: Abstract Dissonance
- Re: neutralizing pivot tones
- From: Abstract Dissonance
- Re: Chord connection
- From: Alain Naigeon
- Re: Chord connection
- From: Bob Pease
- Re: Chord connection
- From: Steve Latham
- Re: neutralizing pivot tones
- From: Steve Latham
- Re: Chord connection
- From: Steve Latham
- Re: Chord connection
- From: Steve Latham
- Implications of 12TET/EDO Pitch Class Set Theory Yahoo Group:
- From: bill . flavell
- Free Blues "Nested" Pentachord MIDI File Archive (80-15-note melodies):
- From: bill . flavell
- Free Blues/Jazz "Nested" Pentachord Scale Diagrams (Microsoft Word format):
- From: bill . flavell
- Re: neutralizing pivot tones
- From: Steve Latham
- Re: Chord connection
- From: Steve Latham
- Re: Chord connection
- From: Abstract Dissonance
- Re: Chord connection
- From: Alain Naigeon
- Re: Chord connection
- From: Bob Pease
- Re: neutralizing pivot tones
- From: Abstract Dissonance
- Re: neutralizing pivot tones
- From: Abstract Dissonance
- Re: neutralizing pivot tones
- From: Steve Latham
- Re: neutralizing pivot tones
- From: Steve Latham
- Re: neutralizing pivot tones
- From: Abstract Dissonance
- Re: neutralizing pivot tones
- From: Abstract Dissonance
- Re: Chord connection
- From: Steve Latham
- Re: neutralizing pivot tones
- From: Steve Latham
- Re: Chord connection
- From: Abstract Dissonance
- Re: neutralizing pivot tones
- From: Abstract Dissonance
- Re: neutralizing pivot tones
- From: Steve Latham
- Re: Chord connection
- From: Steve Latham
- neutralizing pivot tones
- From: Abstract Dissonance
- Re: Chord connection
- From: Abstract Dissonance
- Re: Light my fire
- From: John Gutglueck
- Re: Chord connection
- From: Steve Latham
- Re: Chord connection
- From: Alain Naigeon
- Re: Chord connection
- From: Steve Latham
- Re: Chord connection
- From: Abstract Dissonance
- Re: Chord connection
- From: Steve Latham
- Re: Chord connection
- From: Abstract Dissonance
- Re: Chord connection
- From: Steve Latham
- Re: Chord connection
- From: Abstract Dissonance
- Re: Chord connection
- From: Steve Latham
- Chord connection
- From: Abstract Dissonance
- Re: Persian Scale
- From: ttw
- Re: Persian Scale
- From: Hans Aberg
- Re: Persian Scale
- From: Margo Schulter
- Re: Persian Scale
- From: Orlando Enrique Fiol
- Re: Persian Scale
- From: Hans Aberg
- Re: Persian Scale
- From: Legion
- Re: Persian Scale
- From: f_parella
- Re: Persian Scale
- From: Jens Rodrigo
- Persian Scale
- From: f_parella
- Re: Light my fire
- From: Joey Goldstein
- Re: Light my fire
- From: John Gutglueck
- Re: Tritone resolutions
- From: Orlando Enrique Fiol
- Re: Tritone resolutions
- From: Steve Latham
- Re: Tritone resolutions
- From: Steve Latham
- Re: Tritone resolutions
- From: Joey Goldstein
- Re: Tritone resolutions
- From: Joey Goldstein
- Re: Tritone resolutions
- From: Tom K.
- Re: Tritone resolutions
- From: Steve Latham
- Re: Another Schoenberg 'Theory of Harmony' Question
- From: Steve Latham
- Re: Tritone resolutions
- From: Tom K.
- Re: Another Schoenberg 'Theory of Harmony' Question
- From: Tom K.
- Tritone resolutions
- From: Steve Latham
- Re: Another Schoenberg 'Theory of Harmony' Question
- From: Steve Latham
- Re: Another Schoenberg 'Theory of Harmony' Question
- From: Steve Latham
- Re: Light my fire
- From: John Gutglueck
- Re: Why not Beethoven for guitar? It's just chords......???
- From: Mark & Steven Bornfeld
- Re: Light my fire
- From: John Gutglueck
- Re: Light my fire
- From: Joey Goldstein
- Re: Light my fire
- From: Joey Goldstein
- Re: sensing meter
- From: bgranat
- Re: Light my fire
- From: John Gutglueck
- Re: Another Schoenberg 'Theory of Harmony' Question
- From: Tom K.
- Re: Another Schoenberg 'Theory of Harmony' Question
- From: Abstract Dissonance
- Re: Light my fire
- From: Tom K.
- Re: Light my fire
- From: Joey Goldstein
- Re: Another Schoenberg 'Theory of Harmony' Question
- From: Abstract Dissonance
- Another Schoenberg 'Theory of Harmony' Question
- From: jeffontheleft
- Another Schoenberg 'Theory of Harmony' Question
- From: jeffontheleft
- Re: Light my fire
- From: Tom K.
- Re: Light my fire
- From: Joey Goldstein
- Re: Light my fire
- From: Tom K.
- Call for Papers - "American Music"
- From: University of Illinois Press
- Re: Why not Beethoven for guitar? It's just chords......???
- From: fields
- Re: Why not Beethoven for guitar? It's just chords......???
- From: Silverfin
- Re: Why not Beethoven for guitar? It's just chords......???
- From: bataillejp
- Re: Light my fire
- From: John Gutglueck
- Re: Light my fire
- From: Bob Pease
- Re: Editor Appointed for "American Music"
- From: Hans Aberg
- Editor Appointed for "American Music"
- From: University of Illinois Press
- Re: Light my fire
- From: Tom K.
- Re: sensing meter
- From: Hans Aberg
- Re: sensing meter
- From: Joey Goldstein
- Re: sensing meter
- From: Joey Goldstein
- Re: sensing meter
- From: Joey Goldstein
- Re: sensing meter
- From: Abstract Dissonance
- Re: sensing meter
- From: Abstract Dissonance
- Re: sensing meter
- From: Hans Aberg
- Re: sensing meter
- From: Joey Goldstein
- sensing meter
- From: Abstract Dissonance
- Re: Light my fire
- From: John Gutglueck
- Re: Light my fire
- From: Alain Naigeon
- AMERICA IN DANGER: Secret Torture Rooms
- From: nanovmh
- Re: Analysis of two measures of last movement of Beethoven 9th Symphony
- From: Abstract Dissonance
- Re: Analysis of two measures of last movement of Beethoven 9th Symphony
- From: Joey Goldstein
- Re: Light my fire
- From: John Gutglueck
- Re: Light my fire
- From: John Gutglueck
- Re: Analysis of two measures of last movement of Beethoven 9th Symphony
- From: Perth
- Re: Analysis of two measures of last movement of Beethoven 9th Symphony
- From: felix
- Analysis of two measures of last movement of Beethoven 9th Symphony
- From: Perth
- Re: Fugues
- From: SleepyHead
- OT: Links to my web pages - please change to...
- From: Joey Goldstein
- Re: HUGE LOT 8-TRACK DECKS-RECORDERS- CLEANING CARTRIDGES- TAPES- BY ARTIST-COMEDY- ROCK-POP-EZ LISTENING-CLASSICAL-C&W- DISCO- VOCALIST
- From: duty-honor-country
- HUGE LOT 8-TRACK DECKS-RECORDERS- CLEANING CARTRIDGES- TAPES- BY ARTIST-COMEDY- ROCK-POP-EZ LISTENING-CLASSICAL-C&W- DISCO- VOCALIST
- From: DeserTBoB
- Re: Direct parallels
- From: Hubert l'Hubert