Re: How important are overtones?



J Jensen wrote:
>
> I asked a direct question, citing a specific example from Beethoven's
> "Lustig, Traurig" and got a specific affirmative response from
> Charlton,
> although Matt was silent, if I recall correctly.
>
> It doesn't make sense

Exactly. But that was the rule.

> to me to regard g - c in C major as a
> "dissonance"
> in any sense of the word (Shenkerian or psycho-acoustical). Can
> you cite an example of this in the common piano literature?

Work your mway thru any legit harmony book.

>
> --Jeff

--
Joey Goldstein
http://www.joeygoldstein.com
joegold AT sympatico DOT ca
.