Re: Melodic Minor Chords and Chord-Scale Relationships

On Sep 24, 12:05 pm, Phil <pdema...@xxxxxxxxx> wrote:
On Sep 24, 11:25 am, Joey Goldstein <nos...@xxxxxxxxxxx> wrote:





charles robinson wrote:
Tell me how do feel about what was being discussed, does
Phil's idea that a scale can have a "keyness" or that  a group of notes can
be used as the basis for composition  and improvisation have merit in your
opinion?
Charlie

I'm the only guys who's been arguing about that stuff.
Again... Keys and modes (Medieval modes or contemporary modes), while
both being tonal centres are *different* types of tonal centres.
If you and Phil want to freely use the word "key" like you do then go
ahead. But I don't have to.

Any pitch-class collection can be used to extract scales,
chord-voicings, arpeggios or melodies, but that doesn't make it a "key"..

--
Joey Goldstein
<http://www.joeygoldstein.com>
<http://homepage.mac.com/josephgoldstein/AudioClips/audio.htm>
joegold AT primus DOT ca

.

If you and Phil want to freely use the word "key" like you do then go
ahead. But I don't have to.

Hey, hey, I'm Phil, not Philistine!  Your remark about my example just
being considered "minor key" answered my question -- wether the notes
are from melodic minor, harmonic minor or natural minor, um... "pitch/
tone sets", or any combination of the three, its just considered to be
in a minor key.- Hide quoted text -

- Show quoted text -

Did you mean monarchy?

-TD
.

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