Re: An observation on jazz guitar solo arragements...
- From: oasysco <wilderkommen@xxxxxxxxx>
- Date: Mon, 31 Mar 2008 06:12:45 -0700 (PDT)
On Mar 31, 8:50 am, "Dallas Selman" <marinesur...@xxxxxxx> wrote:
I have a grand heap of chord melody solo books, all useless to me really
because the arrangements generally exploit the artist's over-abundance of
chops to the hilt, way more technique than I can muster. Check outwww.lickbyneck.com, well over 100 lovey, doable jazz arrangements now
inclduing separate tabs which can be imported into guitarpro if you want
notation. Just listen to a few of these arrangements. Neat thing about
going solo is a). You don't have to be Joe Pass or Martin Taylor really.
b.) You don't have to learn them in real book keys.
I recently donated to lickbyneck.com, but had since forgotten about
that site. Thanks for the reminder.
Greg
"Gerry" <somewh...@xxxxxxxxxxx> wrote in message
news:2008033014255716807-somewhere@xxxxxxxxxxxxx
On 2008-03-30 12:32:21 -0700, oasysco <wilderkom...@xxxxxxxxx> said:
I have a number of books that I'm using to learn some jazz guitar solo
arrangements. Most simply harmonize each note with a full chord with
no fill notes or bass lines intersperesd with melody notes. Only a
few of the books I have actually arrange for guitar with fill notes/
passing tones, bass notes like the one I have by Dan (or is it Don?)
Towney.
Is that so? I don't have many such volumes, and the ones I do have diverse
approaches, certainly including something other than block-chord voicing
for every melody note. Have you seen the two Mel Bay publications of
Barry Galbraith's arrangments. They are pretty diverse in techniques.
--
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