Re: DADGAD for Dummies?



Chris Rockcliffe <chrisrockcliffe@xxxxxxxxxxxxxxxxxxxxx> wrote:

David Martel31/08/2007 1:25 am

Jack,

I'm no expert on Scottish music but find your "usual keys" to be a bit
odd. The key of a song is the one the vocalist can sing in. Are you
accompanying bagpipes? Why is there a usual key.
Guitarists use the capo to effect a key change frequently, so standard
tuning and a capo should get you where you need to go.
DADGAD can create drones like a set of pipes. I think that's why it's
popular for celtic music. I do not think it's about the key.

Dave M.

You'll find that in many Scots and Irish sessions there are no vocals at
all; Scottish and also Irish music tend towards the keys of D and G and
occasionally A or C I'm not sure of all the reasons why. US Bluegrass and
Old Timey music is much the same in its choice of keys - with of course many
tunes shared and diversified.

Lots of Eastern Europe stuff too in Am, Bm, Em, Dm... etc (tunes are
written for specific keys and don't always transpose well),

But the fiddle for instance is easier to play in those keys I'm told than
say in E or Eb;

As a beginning fiddler I tell you those people are telling you rightly.
<g> I'm encroaching on "beginner okay" in A, D, G and C.

concertinas and melodeons and whistles and bagpipes and
harmonicas and many other instruments are produced to play in specific keys.
Just as jazzers play in Eb and Bb and rock guitarists like E or A, folk
music also has its styles and keys.

Those jazzers do that because many of the chosen wind instruments are in
flat keys. Alto sax = Eb and tenor sax = Bb. I.e., a wrriten C for those
is actually either an Eb or a Bb.

--
ha
Iraq is Arabic for Vietnam
.



Relevant Pages

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