Re: Pristine: RVW's 1958 Symphony 9 première + Mitropoulos' "A London Symphony", NBC SO, 1945
- From: Kevin P. Mostyn <notmyrealaddress@xxxxxxxxxxx>
- Date: Mon, 05 Jul 2010 01:59:09 -0700
"Always" is a very long time.
Actually, FM audio was not limited in upper frequencies until the
introduction of the Zenith/GE FM Stereo system in 1961. I have many
recordings made from FM in the 1950s, with frequency response
extending beyond 20 kHz.
Even when FM Stereo was introduced, the typical low pass filter in the
stereo generator was an analog filter with a hinge point at about 17
kHz, with sharp rolloff above that. Brick-wall filters were not cheap
to make in the analog days.
The Optimod is a popular audio processor used in many radio stations
around the world, designed by Bob Orban, who is based here in San
Francisco. I use dozens in my group of 50 radio stations. However,
Orban didn't invent the compressor/limiter. Such devices were in use
in the 1930s, even by the BBC, who designed their own.
There is a series of articles discussing the history of audio
processing (alas somewhat America-centric) beginning with:
http://www.thebdr.net/articles/audio/proc/proc-hist.pdf
Kevin Mostyn
(still in a career of more than 40 years in broadcast engineering)
___________
My real e-mail address is my first name at my last name dot com
On Mon, 5 Jul 2010 00:54:12 -0700 (PDT), frankwm
<frankwmartin@xxxxxxxxxxx> wrote:
<snip>
FM has always been 'bandwith limited' to max 15kHz; the later
Broadcasting House digital transmission chain didn't alter that
parameter...as you can't have the FM frequency-range reaching the
Pilot Tone (19kHz) itself - with it's associated sidebands (clearly
seen on my graph).
<snip>
.
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