Re: Beethoven's Late Quartets - Colorado SQ.

On 25 Dez., 22:33, Dontaitchic...@xxxxxxx wrote:
On Dec 25, 3:25 pm, A N Other <another12...@xxxxxxxxxxxxx> wrote:





On 25 Dec, 19:16, Dontaitchic...@xxxxxxx wrote:

Ms. Bayly has had reviews in probably the last three issues of
Fanfare. In the first, she reviewed the recent Pristine Audio
remastering of Mengelberg's live performance of Mahler's Fourth
Symphony. She began by stating that although she'd heard about the
performance and recording for years, the Pristine Audio CD was the
first time she had ever heard it. She then wrote at great length,
stating that she found the performance marvellous. All well and good.
Then -- at the end of her review -- she went into ecstasies about the
sound of the Pristine Audio transfer, stating that all previous
incarnations had been inferior and even listing a couple of ways in
which they were. (I no longer have the issue, so I regret being unable
to quote her directly.)

Don Tait

I imagine she had heard the earlier incarnations after the latest one.
Otherwise, she would surely not have written what she wrote. Fanfare
needs to clarify.

  I imagine that if she had heard the earlier incarnations after the
latest one, she would surely not have written that the latest one was
the only one she had ever heard when she wrote and submitted the
review. It is she who needs to clarify.

As a reviewer of a new issue of a historical recording, one is
expected to comment both on the performance and transfer.
It is possible to start reviewing the performance, because the CD is
present and can be heard, then get hold of a set of older
transfers somewhere for comparison if one has access to an archive -
does Fanfare keep such a thing ? - and add a paragraph
answering the question of sound quality. It is also possible to re-
read the whole review and amend the beginning before it is sent out. I
suppose one of the things above hasn't happened.

Lionel Tacchini
.

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