Re: Favorite Schumann Sym Recordings

On Fri, 26 Aug 2005 07:18:42 -0400, Sacqueboutier
<don_patt@xxxxxxxxxxx> wrote:

>On 8/25/05 10:26 PM, in article
>1125023176.915722.61700@xxxxxxxxxxxxxxxxxxxxxxxxxxxx, "Toby Winston"
><Toby_Winston@xxxxxxxxxxx> wrote:
>
>>
>> antikillfile wrote:
>>> On Thu, 25 Aug 2005 21:49:24 -0400, Sacqueboutier
>>> <don_patt@xxxxxxxxxxx> wrote:
>>>
>>>> On 8/25/05 7:38 PM, in article BF33CEA1.9011%noname@xxxxxxxxx, "Tom Deacon"
>>>> <noname@xxxxxxxxx> wrote:
>>>>
>>>>>
>>>>>
>>>>>
>>>>> On 8/25/05 4:58 PM, in article o3csg1ltfdblp0mromsh4g6cokrvkk2145@xxxxxxx,
>>>>> "Gomer Pyle" <gp@xxxxxxxxxxx> wrote:
>>>>>
>>>>>> On Thu, 25 Aug 2005 15:11:31 -0400, Sacqueboutier
>>>>>> <don_patt@xxxxxxxxxxx> wrote:
>>>>>>
>>>>>>> I saw the post via a reply, but I have problems with any of Abbedd's
>>>>>>> personal choices and in fact, I love the Cantelli 4th. I haven't heard
>>>>>>> any
>>>>>>> of Ansermet's recordings, but I can imagine, based on what I know of his
>>>>>>> recordings, that he favored a lean, clean sonority that favored clarity
>>>>>>> of
>>>>>>> texture and revealing inner lines. If he recorded these for Decca, I
>>>>>>> should
>>>>>>> like to hear them very much.
>>>>>>
>>>>>> If you were not such a pompous putz,they would have been in your
>>>>>> mailbox in a few days.
>>>>>>
>>>>>> Sym # 1 1951
>>>>>>
>>>>>> Sym # 2 1966
>>>>>
>>>>> I think any sane person would look that gift-horse in the mouth.
>>>>>
>>>>> TD
>>>>>
>>>>
>>>> I wasn't angling for the files and I don't need them. If I want them, I'll
>>>> find them somewhere and buy them without the bass-heavy sound and watery
>>>> gurgle.
>>>
>>> You never mentioned bass heavy sound or a gurgle
>
>Untrue. I did mention it.
>
>>> until you sold your
>>> soul to be on the side of the scum of the earth because you are
>>> jealous and threatened by me.
>
>No one is threatened by you. My how high and mighty we think we are.
>
>>> Remember the last time we had a problem,
>>> you spewed that because you play trombone you know just as much as I
>>> do about wind playing.
>
>Spewed what? Just because you wrote a program doesn't make you an expert on
>wind playing. There are many former NY freelancers now in the Marine Band
>and no one has ever heard of you. The sax players I've asked generally
>consider the Guardala mouthpiece to be a jazz piece and somewhat
>inconsistent at that. They don't play them. Seems to me that something
>that "revolutionized" the music industry would be played by every sax player
>in the professional. That's the thing the m.p.s though. Everyone has a
>different mouth. I've been through the search for the magic mouthpiece and
>I finally came back the the standard Bach 4G. Works for me and a lot of
>other players. Doesn't work for others.
>
>>>
>>> Let's see you design a successful mouthpiece for a woodwind
>>> instrument.
>
>Why would I need to? (You see, I know how to use a question mark.)
>Let's see you transcribe music for band. Big deal. Let's see you teach
>beginners. How long before they go crying for Mommy? Let's see you play in
>a professional ensemble considered the world over to be among the best in
>its field.
>
>Don't play tit for tat, Jeffrey. You're not the only person who makes a
>living at music.
>
>>> Don you are out of your league.
>
>I am very comfortable in my league, thank you. I appreciated your
>contributions. I just simply tired of your arrogance.
>
>>> You would get burned playing with the big boys.
>
>I assume the big boys do not include you.
>
>>> Now get some sleep.
>
>Just woke up from a wonderful sleep. I sleep with my wife of 22 years. Who
>do you sleep with?
>
>>> Your beginning trombone students are relying on you.
>
>I gave up my studio when we moved last year. I do plan to start another in
>my new neighborhood some day, but my work schedule has been pretty full.
>
>>> Just in case you forgot D is in fourth position
>
>A slightly lowered 4th position, actually.
>
>>>
>>> You once said my patents don't mean a thing.
>
>No, you are being untrue. I said they don't mean much to those who are
>piling on you in this NG, and they don't. On the other hand, your arrogance
>and abrasive attitude does.
>
>>> Yes they do. They make you green with envy
>
>No...they don't. Rather "pompous" of you to say that, though.
>
>>>
>>> p.s. Real players laugh at the marine band. I have heard them
>
>Funny, a lot of Julliard, Eastman, Peabody, NEC, Shepherd, Illinois,
>Indiana, Curtis, Cleveland, (etc.) graduates with Bachelors, Masters, and
>Doctorate degrees are crowding our auditions to get in. Many have been
>freelancing for several years. Most still freelance. One of our trumpeters
>still gets calls to sub with the NY Phil.
>
>>
>>
>> He really has no idea how mentally ill he is.
>>
>
>Yes.

First they never heard of me now they have and my pieces are
inconsientent. Making it up as you go, huh?

Abbedd
________________

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"Knowing what without knowing why is not knowing what"
"If Music is important,then anti-Musicality is even more important"
___________________________________________________
"I ask you to judge me by the enemies I have made."
FDR
.

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