Re: A New Twist On Copyright Infringement?
- From: "Neil Gould" <neil@xxxxxxxxxxxxxxxxx>
- Date: Fri, 28 Nov 2008 15:42:57 -0800
Mike Rivers wrote:
Neil Gould wrote:I think that the point is that they don't work that way, and never have.
Wow. If that is really the way things work now, then they don't work
at all.
That's just the point.
How could the number of units sold increase if there is no increase in theRoyalties used to be assessed on a per-unit-sold basis (I suspect
they still are, even in authorized downloads where there is no
physical product exchanged). Second-hand sales do not increase the
number of units sold, ergo, no further royalties are due to the
artist.
Sure they do.
number of units manufactured?
They aren't given away. They may not be sold by theThere should be *and is* a difference because there is no increase in the
record company, but they're still sold, and different people than
those who originally bought the CD are then hearing the music, just
as if they had bought it from the record company. So why should there
be a difference?
number of units sold, and the creators have already been paid their fee. One
could argue that the fee is insufficient to cover all possible future uses
of the material, but that is a different matter altogether.
The fact that the record company can't account forYou seem to be trying to redefine commerce in a way that is inherently
second-hand sales is no reason why NOBODY should account for them.
unworkable.
You are describing expectations that can't be met under any current orWhile some folks pretend to be unclear about when theft occurs, it
isn't all that difficult to identify
We're not talking about theft here. Non-payment because there's no
vehicle for payment is not theft. It is, however, not fair to the
content creator in a system where he expects to be paid for the use of
his material no matter how it gets to the ear listening to it, or the
feet dancing to it.
historical model of commerce. Royalties have never been paid on a
per-listener basis, even in commercial usages outside of live performances
(and typically not even then).
The problem appears to be in your concept of how the system works. It hasI really don't see why so many folks are confused about this.
It's not a matter of conusion, it'a a matter of not accepting that
someone isn't getting paid for his work according to the system.
never worked that way, and is unlikely to do so in the future for some
pretty obvious reasons that have nothing to do with trying to deny payments
for work.
Best,
Neil
.
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