Re: Audio for Video Shoot
- From: "Lorin David Schultz" <Lorin@xxxxxx>
- Date: Fri, 30 Jun 2006 15:49:33 GMT
Frank Stearns <franks.pacifier.com@xxxxxxxxxxxx> wrote:
- I'll mix analog back to 48K, and will initially sample them three
mixes of one of the takes with the bookend clicks: one with the
multitrack clocked at 48K, one clocked at +.1% and one clocked at
-.1% (that 29.97 frame thing).
There's no reason for the pull-up and pull-down versions. If you're not
synced to the camera, the clock rate is irrelevant. The picture,
regardless of frame rate, will run a certain number of minutes and
seconds. So will your audio recording. In the absence of external
sync, the length of your recording is not affected by the camera.
--
"It CAN'T be too loud... some of the red lights aren't even on yet!"
- Lorin David Schultz
in the control room
making even bad news sound good
(Remove spamblock to reply)
.
- References:
- Audio for Video Shoot
- From: Frank Stearns
- Re: Audio for Video Shoot
- From: Richard Crowley
- Re: Audio for Video Shoot
- From: Frank Stearns
- Audio for Video Shoot
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