Re: Clients and The Loudness Wars
- From: "J.C. Scott" <jacyscott@xxxxxxxxxxx>
- Date: Wed, 21 Jun 2006 08:55:55 GMT
"Chevdo" <chev@xxxxxxxx> wrote in message
news:0E7mg.64944$A8.4601@xxxxxxxxxxx
In article <Kv7mg.64943$A8.19774@clgrps12>, chev@xxxxxxxx says...
supported
In article <1150870131.990420.312880@xxxxxxxxxxxxxxxxxxxxxxxxxxxx>,
upryz1@xxxxxxxxx says...
Chevdo wrote:
fyi:
http://skepdic.com/comreinf.html
Ok - let me get this straight... You accuse rec.audio.pro posters of
"Communal Reinforcement" and post the above link. Within that very
link it states:
"The process [communal reinforcement] is independent of whether the
claim has been properly researched or is supported by empirical data
significant enough to warrant belief by reasonable people."
Are you suggesting that the information in the link you were responding
to...
http://www.mindspring.com/~mrichter/dynamics/dynamics.htm
...is NOT researched and supported by empirical data. Would you say
that chronological recording history, detailed waveform graphs, tallies
of # of clipped samples, and listening is not empirical?
No, I am saying that that collection of data, while accurate, does not
support
the delusional conclusion reached by the anti-loudness cult, which is
by communal reinforcement. It's very common for the deluded to refer to adoes
bunch of accurate data that they claim supports their position but in fact
not. (for example, Ann Coulter makes a big deal over supporting her
crazed
psychopathy with copious footnotes, which she believes makes her correct).
Just to provide an analogy here, presenting accurate data about dynamics
in
sound recordings to make the subjective claim that a typically
'over-compressed' commercially available CD lacks enough dynamics to be
enjoyable is akin to saying that since two plus two equals four, four must
be
evil.
The data obviously doesn't make it evil in and of itself, but many observe a
correlation between a progressive reduction in dynamics and audio that
sounds progressively worse. It's a matter of interpretation. One mans trash
is another mans gold. You can't prove my style of music is better than
yours.
At one extreme of the audio spectrum you have silence; at the other,
absolute loudness. Neither will do for listening to audio. After all,
recorded audio can only be so loud before it becomes unintelligible. Is
there such a thing as too much compression, in your opinion?
.
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