Re: Layout of dialog
- From: Helen Hall <usenet@xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx>
- Date: Sun, 6 Jul 2008 22:09:07 +0100
In message <67442792-116c-46e2-af55-e9362ba385a7@xxxxxxxxxxxxxxxxxxxxxxxxxxxx>, ShellyS <shelly.s@xxxxxxxxx> writes
On Jul 6, 11:02 am, David Friedman <d...@xxxxxxxxxxxxxxxxxxxxxxxxx>
wrote:
As a general rule, I start dialog as a new paragraph--typically the last
sentence of the preceding paragraph signals who is speaking. Thus:
John looked up.
"I think I hear something."
I wouldn't necessarily think John said that.
I would also be inclined to think that another character said that. Personally I tend to treat "stage business" in the same way as a speech tag, ie it goes in the same paragraph as the speech. I'm sure the rule I internalised many years ago said that you start a new paragraph when a *new* person speaks. If the speech is interspersed with action by the character who is speaking, then it all goes together.
Usually, I think if the*Nods in agreement*
dialogue is on a different line, the other character is speaking. I
sometimes have trouble following dialogue in scenes with 3 characters
because of constructions like this. I've had to go back and mentally
assign the dialogue even in 2-character scenes due to this sort of
construction. A new line indicates to me a character switch, in
general, unless other cues are offered.
Me too.One beta reader found that odd and, I think, a little confusing. WouldThat's probably how I would write it.
it be better to format it as:
John looked up. "I think I hear something."?
Helen
--
Helen, Gwynedd, Wales *** http://www.baradel.demon.co.uk
.
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