Re: A request for information please.
- From: N <n.m.keele@xxxxxxxxxxxxx>
- Date: 15 May 2007 12:31:03 -0700
On 13 May, 10:02, Stephen Harris <cyberguard-1...@xxxxxxxxx> wrote:
N wrote:Thanks for the link which I quickly read (overhang from proof-reading
On 11 May, 00:22, Stephen Harris <cyberguard-1...@xxxxxxxxx> wrote:
N wrote:
Symbol and math isn't so much a problem, as visual development,
the development of math and science are influenced to a degree by
the prevailing technology (by finding proofs etc) although I have no
idea about language and music, and I'd like to do a little more in
that
area.
http://web.media.mit.edu/~lieber/Lieberary/Graphic-Design/Graphic-Des...
I
suppose !)
I don't know, we always had a 'middle-man' somebody trained in
"Muriel Cooper [1925-1994] was a renowned graphic designer who had
a vision of computer-based tools that could actively participate
in the process of dynamic visual expression.
both areas who 'parsed' the info and split the jobs. I suppose
cognitive psychology of perceptions and statistcal survey (are?)
could loosely be used as a denominator for engineered frameworks
for passive interactions. But then again a statistical average used
frequently perpetuates a notion that a proportion would be correct.
Anyhow it all seems to me to be about 'ease of retrievals'
and a very clever lady by the sound of things :) something I could not
Her interest in
supporting the design process with intelligent tools led her to
make artificial intelligence one of the major themes of her
research group, the Visible Language Workshop [VLW]. Home to
people of both visual design and computer backgrounds, the VLW
embodied the best of the interdisciplinary spirit in which the
MIT Media Lab was founded. During an era in which intelligent
design applications were ignored by both the AI and computer
graphics communities, the VLW supported a range of projects in
this area, from automatic layout to graphical editors that can
learn from examples."
dream of accomplishing.
Nah I'm just bemused as to why there's 40,000 languages worldwide
how come we all see the same dog?
should we have a hierarchical perceptions?,
OR, do we sweep the board and use present sociological and
psychological findings, across all nations and peoples?
There are sensibilities and rural cultural tradition for example?
you know like certain colours and composition etc are unfortunate,
will communicate different in one country to another & etc.
ta!
n.
.
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