Re: Newbie: composite, hdmi, s-video, rca
- From: "rjn" <email4rjn@xxxxxxxxx>
- Date: 11 Jan 2006 12:57:40 -0800
godzilla: wrote: >
> I understand that hdmi > composite > s-video > rca. But why?
> At some level, there most be some reason why one is preferred
> over the other.
If your signal source is originally digital and/or component
in nature (separate RGB or YCC data structures), then you want
to keep it that way to minimize noise and artifacts.
Top down ...
DVI-D/HDMI - is pure digital, and depending on the equipment,
can support 1920x1080@60Hz (or higher with dual-link DVI or
HDMI-B). HDMI adds audio and device control lacking in DVI.
Component - YPbPr usually - is analog, but retains separate
channels for the color info. It appears that port capabilities
may run up to 1080i, but they could also be only 480p.
S-video, aka Y/C keeps the luminance separate from the
UV color info, but is a bit inferior to YPbPr. S-video is also
480i only, so on the whole it's a big step down from component.
Interlace twitter, anyone?
Composite/RCA - subsamples the color and merges it to the
luminance data in way that often is ambiguous to decode.
Fine B&W detail is seen as color, and vice versa. So you
have lower color res than S-video, and decoding artifacts
to boot.
F-connector - this might be bringing an ASTC digital signal
to your tuner, but is more likely emulating NTSC channel 3
or 4. We've now taken the crappy composite signal and
used it to modulate a TV station broadcast carrier. More
noise, mostly.
> Is hdmi the only digital signal in the bunch?
DVI-D and HDMI are definitely digital. F might be.
The others are not.
FAQs on all this abound. I'm not posting any links, because
I haven't found any I consider sufficiently comprehensive,
up to date, and accessible to curious consumers.
--
Regards, Bob Niland mailto:name@xxxxxxxxxxx
http://www.access-one.com/rjn email4rjn AT yahoo DOT com
NOT speaking for any employer, client or Internet Service Provider.
.
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- Newbie: composite, hdmi, s-video, rca
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