Re: Amplitube 2



Les Cargill <lcargill99@xxxxxxxxxxx> wrote:
RichL wrote:
Les Cargill <lcargill99@xxxxxxxxxxx> wrote:
iarwain wrote:
One of the things I like about Amplitude 3 is that they've thrown
in a 4 track recorder. Seems like it would be less of a CPU hog
if you can record your guitar tracks it directly without having to
use it within another recording program (I use Audition). I could
be mistaken though. The only thing that concerns me is I can't
find any specs on the recorder. I'm not sure if it will do high
quality recording, like 24 or 32 bit.

You only need 16. You really only need 24 if you are recording
commercially and need to leave 20dB worth of headroom. 32 bit is ...
kinda silly - the proggies all convert to 32 bit internally, anyway.

You only need 16 in the final product, but if you do a lot of
bouncing etc. having 24 *internally* is helpful.




You don't need to do bouncing any more :) And I am not aware of any
available DAW that does not use 32 bit float internally. There used to
be such a thing, but not recently.


I say this because I have about a dozen 4 hour gigs in up to 16 tracks
on this machine, and they *already* take up enough space as it is.

For what it's worth, within Sonar (and probably other recording software
packages also), you can set the bit resolution. I *could* use 32 but I
don't because, as you say, it takes up an awful lot of space.


.



Relevant Pages

  • Re: Pristine release: Reiner Rarities from Mark Obert-Thorn
    ... Some projects AREN'T WORTH DOING, ... With the economics of my business this ceases to be the case - the ... is just as good or better than something done from a master. ... remastering, which aims to fix flaws present in the recording, ...
    (rec.music.classical.recordings)
  • Re: Pristine release: Reiner Rarities from Mark Obert-Thorn
    ... That said project sold only 400 units ... recordings you would deem not "worth doing" are often the ones where enough dedicated collectors have waited long enough that in fact they are worth doing. ... The point I will make in follow-up discussion is based on my method of remastering, which aims to fix flaws present in the recording, regardless of the source. ... But I'm not normally attempting to issue merely a straight transfer - that's easy - I'm attempting also to carry out a remastering which will solve or alleviate tonal distortions or inaccuracies that were built into the master when it was recorded due to either errors in the recording technique, or relatively primitive equipment in use at the time. ...
    (rec.music.classical.recordings)
  • Re: Tubey techy tidbit.....
    ... worth a thousand words, it ain't worth a single note of ... recording studios use. ... Kitty, interesting how quickly you forget that I do professional audio work, ... BTW I also own two Presonus mic preamps: ...
    (uk.rec.audio)
  • Re: Tubey techy tidbit.....
    ... worth a thousand words, it ain't worth a single note of ... recording studios use. ... someone who is *paid* to work in the ... Kitty, interesting how quickly you forget that I do professional audio work, IOW pro audio work for hire. ...
    (uk.rec.audio)
  • Re: EMI Klemperer reissues
    ... Enjoy that single disc while I enjoy the other 75 years worth of three-movement 9th's. ... I don't care for any of the 9th completions. ... Bruckner was in a diminished state while he was working on the Finale. ... I would place Rattle's BPO recording no higher than the middle of the heap. ...
    (rec.music.classical.recordings)