Re: Combing blues and mixo scales - how is it done?

Lumpy wrote:
Rick Del Savio wrote:

...speaking as a Jazz player I wouldn't last
too long among other Jazz players using all
that C diatonic material over a ii-V-I progression.
Maybe in "smooth" Jazz. I've trained myself to think
D phyrgian, D aeolian, D dorian (and more) over Dm7,
and then Ab melodic minor (and all its modes), G 1/2-whole
dim. scale, superimposing arpeggiated triads, etc. over G7.
And C Lydian and its modes as well as the Major pentatonic
scales that are up a whole-step and up a 5th over the CMa7
chord. So, it can be done. And done 'in the moment'. To not
place tensions b9 #9 b5 #5 #11 on the V chord, G7 is to
deny an essential element of Jazz. Tension and release...


You definitely need to kill a man in Memphis.


Lumpy
--
How come you didn't star on Star Trek?
Because Clint Howard beat me for the part of Balok.
www.lumpyvoice.org


I do? Who's that? Rick 30 free lessons and audio-clips here; http://www.rickdelsavio.com/lessons.html

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