Re: Bass Player`s Revenge Chord



StringerBell <StringerBell@xxxxxxxxxxx> wrote:

It`s just another case of me not communicating well.

All I`m saying is that as Bass Players we cant sit on the "4th" of a chord
instead of the root. Well , we can, but we wouldnt get much work and some of
us would probably get slapped, kicked and shot at.

Right. I see. That explains some of my scar tissue.

http://www.youtube.com/watch?v=6NdAUnnU9Ac

Doesn't look like those beastie boys ever read that theory book.

Good job too.

--- Derek



--
Derek Tearne - derek@xxxxxxxxx
Many Hands - Trans Cultural Music from Aotearoa/New Zealand
http://www.manyhands.co.nz/

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Relevant Pages

  • Re: How important are overtones?
    ... > So just to be clear, the acoustical root of CEG EGC and GCE are all C right? ... context (eg. following a G7 chord) could make it feel as if it is a C ... >> In a chord voicing where the individual intervals all have different ... >> partials and fairly low partial numbers. ...
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  • Re: 2d inversion triads
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  • Re: getting lost during solos
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  • Re: Consonance, intervals and scales
    ... >>> higher harmonics of two tones. ... You're looking up top the common harmonics of the tones involved in the interval. ... I'm looking down to a the fundamental tone that is the "root" of both tones. ... > major 6th between C and A, but one still perceives the chord as A minor? ...
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  • Re: How important are overtones?
    ... > In or order for the tonal center to remain fixed on a minor tonic triad, ... the acoustical root of CEG EGC and GCE are all C right? ... > In a chord voicing where the individual intervals all have different ... > partials and fairly low partial numbers. ...
    (rec.music.theory)