Re: learning how to write a good bass line
- From: Brian Running <brunning@xxxxxxxxxxxxxxxxx>
- Date: Mon, 23 Jan 2006 15:04:04 GMT
Can I ask a question about this more generally? I have been curious for some time if the practice of playing ahead or behind the beat is applied at all in classical music, of any era or for any size of orchestra. I can imagine it might happen more readily in some eras than in others, if it does at all.
When you're playing in an ensemble, you've got to stay perfectly in sync with everyone else, if players were all "interpreting" the rhythm, it'd be a mess. On the other hand, in small groups where there's one player per part, or when soloing, there's a lot of flexibility built into the rhythm -- the composer will indicate "rubato", meaning take liberties with note lengths -- and "molto rubato" means stretch notes, rush notes, do whatever you want with the rhythm.
But, I think when most people refer to playing ahead or behind the beat, they're referring to a "groove," which just doesn't happen in classical music.
.
- Follow-Ups:
- Re: learning how to write a good bass line
- From: CatPanDaddy
- Re: learning how to write a good bass line
- References:
- learning how to write a good bass line
- From: Saul_Sabia
- Re: learning how to write a good bass line
- From: Walker
- Re: learning how to write a good bass line
- From: Saul_Sabia
- Re: learning how to write a good bass line
- From: Mike Hanson
- Re: learning how to write a good bass line
- From: Saul_Sabia
- Re: learning how to write a good bass line
- From: Mike Hanson
- Re: learning how to write a good bass line
- From: CatPanDaddy
- learning how to write a good bass line
- Prev by Date: Re: learning how to write a good bass line
- Next by Date: Re: !!! TAB - Can someone inspect this for me? Lynyrd Skynyrd - Gimme Three Steps - 3steps.txt (1/1)
- Previous by thread: Re: learning how to write a good bass line
- Next by thread: Re: learning how to write a good bass line
- Index(es):
Relevant Pages
|